Earth is under attack by Kaijus, monsters that have arrived via a recently opened portal in the Pacific Ocean. Human beings all over the world have united as a race and have built gigantic robots called Jaegers. Jaegers are operated by two human beings (and sometimes three), connected to each other thro via their thoughts and memories. This concept referred to as "Drifting", enables these Jaeger drivers to manage the task of operating these towering machines.
Raleigh Becket (Charlie Hunnam) and Yancy Becket (Diego Klattenhoff) are brothers who make an excellent team of Jaeger drivers. In one such Kaiju encounter, Yancy is killed and Raleigh leaves the Jaeger program. He still suffers from nightmares.
Meanwhile, Kaijus are becoming more tougher to beat and the humankind is losing the fight. Marshal Stacker Pentecost (Idris Elba), in charge of the Jaeger program wants Raleigh back and has his worn out Jaeger, Gipsy Danger rebuilt with the help of his protege, Mako Mori (Rinko Kikuchi).
Two scientists, Dr. Newton Geiszler (Charlie Day) and Gottlieb (Burn Gorman) are figuring out a way to defeat the Kaijus. Both of them have different theories and bicker constantly.
Herc Hansen (Max Martini) and Chuck Hansen (Robert Kazinsky) are a father-son duo, who operate Striker Eureka (Australian Jaeger).
Also in the mix is Guillermo del Toro regular Ron Perlman as Hannibal Chau, a shady dealer of Kaiju body parts.
The human interaction sequences that occupy a major section of the movie can get boring sometimes, thanks to pedestrian dialogues and cardboard characterizations. Specifically, the Russian Jaeger drivers are extreme stereotypes and reminded me of Drago (Dolph Lundgren) in Rocky 4.
The acting varies from being good to intolerably bad. I was expecting a Henry Cavill kind of handsome looking-but-bland and uninvolving performance from Charlie Hunnam. But Hunnam proved to be surprisingly good in his role. Rinko Kinkuchi and Robert Kazinsky are also impressive.
Idris Elba and Max Martini are adequate as senior and strict officers. Ron Perlman is a hoot as Hannibal. He has a charismatic screen presence.
Burn Gorman is OK. The least satisfying performance comes from Charlie Day. He is in a shouting mode for most of the movie and grates on the nerves. His work as the "likeable but goofy comic relief" makes Richard Pryor's Gus Gorman (a computer nerd), in Superman III (1983) look superlative by comparison.
Guillermo del Toro is well known for his love of horror/cult movies. His movies have been excellent, whether they are in the horror genre (The Devil's Backbone and Cronos) or superhero genre (Hellboy movies and Blade 2) or fantasy genre (Pan's Labyrinth). He puts in a lot of work in preproduction and his movies are always a work of passion.
I am sure he would have put his heart and soul into this movie too. The design and execution of Jaegers and Kaijus are proof of this fact.
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The special effects are very well done and are easily the best parts of the movie. The fight sequence featuring Crimson Typhoon (Chinese Jaeger) and Cherno Alpha (Russian Jaeger) is quite entertaining.
But the movie stretches on far longer than needed. The movie would have been great if it had ended with the battle sequence in Hong Kong. The "climax" that follows is just a big letdown, compared to the superbly rendered showdown between Gipsy Danger and a couple of Kaijus.
As Sherlock Holmes states in The Adventure of the Norwood Builder: "But he had not that supreme gift of the artist, the knowledge of when to stop."
Despite the amazing action sequences and the expertly executed machines and monsters (by ILM), the movie lacks much of the fun quotient of the Hellboy movies and is also predictable. It is not as bad as Man of Steel, but is still a disappointment considering the previous milestones in del Toro's career.
Fans of summer blockbusters/science fiction/action movies will enjoy Pacific Rim. My suggestion to fans of Guillermo: Watch the movie with reduced expectations and you might like it.
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Image Sources: Warner Bros., Legendary Pictures
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