TV Review: Attenborough's Life Stories - Episode # 1 - Life on Camera

From land animals to small insects to birds to natural phenomena to even Human DNA, Sir David Attenborough has seen and studied them all. He truly is a living legend.

This is the first of the 3 part series (PBS Nature). In this episode, David Attenborough gives us a walk-through the constantly evolving technical aspects of wildlife film making.

David’s sense of humor shines throughout the episode. David is humble enough to focus on the nature and history of wildlife film making.

David was 8 years old when he saw his first wildlife film, Dassan by Cherry Kearton in 1934. Thus began his lifelong fascination with natural history.

David’s first film was Zoo Quest for a Dragon made in 1956. David is headed with his crew to Komodo Island to shoot the famous inhabitant: Komodo Dragon. David shares the picture he took of a curious Komodo that literally came face to face with him and was just a few yards away when the picture was taken.

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David discusses in detail the hardships faced by filmmakers due to the technical limitations. When filming underwater, initially they could only film for 10 minutes. They had to return to the surface and put a fresh film roll to continue the filming.

This situation was remedied with the arrival of the video camera that could shoot for 30 minutes. This made the shooting of never-before-seen sequences possible (The Blue Planet, 2001 and Nature’s Great Events, 2009).

David shares a funny anecdote about the “Bubble helmet” with microphone that was meant to enable the presenter to speak underwater.

David then focusses on the problems of shooting animals that are active in dark, such as bats and lions. Presence of camera lights disturbs the normal behavior of these beings. With the help of Infrared light cameras, able to capture the normal behavior (The Life of Mammals, 2002).

We are also treated to a superb Kiwi encounter (The Life of Birds, 1998). Kiwis have poor eyesight but are compensated by an amazing sense of smell. To hide his presence, David laid among the seaweeds whose strong odor was the perfect camouflage.

Here are some of the different types of cameras and techniques used for specific purposes:

1. Thermal cameras – used to shoot animals based on their body heat readings
2. Optical Probe – used to film insects and other microorganisms such as ants inside their nests.
3. Motion detector – used to film rattlesnakes hunting rats
4. Slow motion camera – used to film Kestrels, and Hoverflies (Life in the Undergrowth, 2005). Both of these winged beings can hover in the air and slow motion filming techniques are used to understand their ability to do so.
5. Time lapse studio – This is the reverse of Slow motion camera and is used to speed up slow action (The Private life of Plants, 1995).
6. Aerial Photography – used to shoot a wild dog hunt (Planet Earth, 2006)
7. Computer animations – replaced line drawings as the best technique to recreate ancient life forms (The Life of Birds, 1998 and Life in Cold Blood, 2008)

It is an interesting fact that the human race has a lot left to learn about the natural world around us and it is the scientific and technical advances by the humankind that enables us to continue this learning process. David pays tribute to the human aspect of the filmmaking by ending the episode with the filming of Snow Leopard by Mark Smith in Pakistan (Planet Earth, 2006).

David has the candor and humility to go back and correct himself. In one such instance, David was initially mistaken about how Nepenthes rajah, the largest Pitcher plant gets its nutrition. David soon figures out that the pitcher plant and tree shrews share a symbiotic relationship. The shrew feeds on plant’s liquid and leaves its droppings that provide nitrogen supply to the plant.

This is a must watch for fans of David Attenborough and Wildlife.

Click here and here to read reviews of episodes # 2 and 3 respectively.

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Image Source: PBS

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BBC Sherlock - "A Study in Pink" - Revisited

Benedict Cumberbatch and Martin Freeman as Sherlock Holmes and John Watson

I have been revisiting the entire series and decided to post my thoughts about some of the finer points I liked about this episode. For an overview of the plot, click here.

Very few adaptations have filmed the first meeting of Holmes and Watson. The few exceptions are the Russian adaptation (Vasily Livanov and Vitaly Solomin) and the 1954 series (Ronald Howard and Howard Marion-Crawford).

This is one of the highlights in the entire Canon. Steven Moffat and Mark Gatiss earn brownie points for filming this pivotal moment.

The plot is based on A Study in Scarlet and has some modern updates and significant changes to the killer’s motivation.

Martin Freeman as John Watson

We meet John Watson as a depressed individual, still tortured by his war memories. John leads a very lonely existence and has taken course to blogging, as suggested by his therapist. He is just missing that one very important part to maintain a blog: interesting content.

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Cue to Watson meeting the aforementioned interesting subject: Sherlock Holmes. I think this is a brilliant stroke from the writers, Steven Moffat and Mark Gatiss. In tune with the modern tone, Sherlock maintains his own blog appropriately titled “The Science of Deduction”.

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This episode is an excellent example of the all the strong points of this series:

• Excellent writing replete with a bunch of Canonical references
• Visual representation of Sherlock’s deductions
• Superb acting, music, and cinematography.

Sherlock’s statement about the killer: “Appreciation. Applause. At long last, the spotlight. That’s the frailty of genius, John. It needs an audience.” applies equally well to himself. This ingenious way of referring to this trademark Sherlockian trait is just a knockout piece of writing by Moffat.

The taxi chase is another nice touch and is a nod to Holmes’ exact knowledge of London.

Mark Gatiss and Martin Freeman as Mycroft Holmes and John Watson

Another of my favorite sections in this episode is the way Mycroft Holmes has been written and performed. Mycroft is one of my favorite characters in the Canon and Mark Gatiss’ version is my all-time favorite. Holmes likens Mycroft to being the British Government in The Adventure of the Bruce-Partington Plans and this episode proves why this is the case.

Like the rest of the series, this episode had a lot of nods to Arthur Conan Doyle’s text. I have listed all the references to the other Canonical stories here.

There are some subtle nods to A Study in Scarlet as well:

1. “If brother has green ladder, arrest brother” – A subtle reference to the way Stangerson is murdered and to one of the suspects, Arthur Charpentier.
2. Watson here texts the murderer from his cell phone – In the original story, Holmes places an ad for the ring with Watson’s name and 221 B as the address.

Benedict Cumberbatch as Sherlock Holmes

As respectful as Gatiss and Moffat are to the Canon, they are not afraid of shaking things up:

1. Anderson suggests the victim is German as RACHE (the word scribbled on the floor by the victim) is the German word for revenge. Sherlock is prompt to reject this theory. In the Canon, it is Lestrade who suggests looking for Rachel and Holmes suggests the aforementioned alternate theory.
2. They also refer to one of the most famous inconsistencies in the Canon: the shifting nature of Watson’s war injury.
3. In addition to being an expert in observation and deduction, Sherlock is a technical wizard as well. He is able to text everyone at the press briefing and Lestrade has no clue as to how Holmes is doing this.

This healthy mixture of reverence and the confidence to take a different approach has worked wonders. What we have here is a top-notch adaptation that stands head and shoulders above most of the adaptations out there.

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Image Source: Cumberbatchweb

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